A young Handel travelled to Italy, immersing himself in a musical world shaped by composers such as Caldara and Lotti.
There he absorbed a rich and expressive style marked by clarity, balance and vitality - qualities that would continue shape his own musical language. Lotti’s 'Missa Sancti Christophori', later compiled by his student Jan Dismas Zelenka, represents Italian sacred polyphony at its finest, combining expressive depth with structural refinement, especially in the breathtaking 'Crucifixus'.
Meanwhile, Handel’s 'Dixit Dominus' transforms these Italian roots into a work of choral brilliance and rhythmic energy, where voices and instruments combine with striking power.
Antonio Caldara Introduzione from 'L’olimpiade'
Antonio Lotti 'Missa Sancti Christophori'
George Frideric Handel 'Dixit Dominus' HWV 232
John Butt director & harpsichord
Hilary Cronin soprano
Helen Charlston mezzo-soprano
Dunedin Consort side by side with students from Royal Conservatoire of Scotland
Pre-concert Talk at 6.30pm
Included in the Edinburgh Subscription Season
Presented by Dunedin Consort
Handel: Dixit Dominus
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